Photographs of the various panels, taken at different times of day and in different seasons, were reordered, reconnected and controlled by way of ink and paper, time and weather, and by those who came along and scrawled on the panels meanwhile, making them new again, in terms of material to work with to create this series. 

The panels have since been removed, as has most of the remains of the building.  The existence of the panels is now limited to a photographic process which has captured them and turned them into something different and new to look at, something they were never meant to be.